|
|
|
Michel-Ange Houasse Bacchanel 1719
Museo del Prado, Madrid
|
|
|
|
|
|
|
|
|
|
Michel-Ange Houasse Bacchanal 1719
Oil on canvas
125 x 180 cm
|
|
|
|
|
|
|
|
|
|
Michel-Ange Houasse Academia de Dibujo Medium Oil on canvas
Dimensions 61 x 72,5 cm
|
|
|
|
|
|
|
|
|
|
Michel-Ange Houasse Louis King of Spain 1717(1717)
Medium Oil on canvas
Dimensions 172 x 112 cm (67.7 x 44.1 in)
cyf
|
|
|
|
|
|
|
|
|
|
Michel-Ange Houasse Luis I principe de Asturias 1717(1717)
Medium Oil on canvas
Dimensions 172 x 112 cm (67.7 x 44.1 in)
cyf
|
|
|
|
|
|
|
|
|
|
Michel-Ange Houasse Blick auf das Kloster Escorial Date 1723(1723)
Medium Oil on canvas
Dimensions 50 x 82 cm
cjr
|
|
|
|
|
|
|
|
1 | |
|
|
Michel-Ange Houasse
|
1680-1730
French
Michel Ange Houasse Gallery
Son of Rene-Antoine Houasse. He trained in his father's circle, becoming familiar with the academic teaching methods then fashionable in France and also in Italy, where he went with his father. In 1706 he joined the Acad?mie Royale de Peinture et de Sculpture in Paris, obtaining the rank of Academician in 1707 with the painting Hercules and Lichas (Tours, Mus. B.-A.). In Rome he probably became acquainted with the Marquis d'Aubigny, secretary to the powerful Princess Orsini, who was close to Philip V of Spain. The Spanish King already had the painter Henri de Favanne in his service in Madrid; Michel-Ange was recommended for work at the Spanish court by Count Jean Orry (1652-1719), the King's French finance minister, and arrived there in 1715. He had contact with the French artists at court and married the daughter of the French architect Rene Carlier.
|